Nadel Paris

A Musician, Music producer, Songwriter

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Lay the Proper Foundation for a Strong Singing Voice

Those who attend vocal classes, they do so to lay the proper foundation for a strong singing voice. Once you have understood that it is not going to happen overnight and you will need to put in a stupendous amount of hard work to get that stupendous voice; you know you are on the right track. Singing is a skill and once you've learned that skill, you can do it without too much thought. With some solid training and understanding you too can develop a voice which people will compliment you on all the time. When you join such classes under a great singing teacher, he can show you exactly how to sing better.

 

Such a teacher would transform the most ordinary people with mediocre singing skills into great singers on the basis of his sound methods of instruction and nurturing style. Why just in London, you can get world class voice training if you sign up for singing lessons. What does it mean to sing a loud powerful note as opposed to a note of medium volume? Well, it is really a matter of intensity. If your vocal chords can hold a stronger push of air pressure back for longer, it produces a sound wave of higher intensity, which means a note at higher volume.

 

You need to train and strengthen the tiny muscles that coordinate your vocal chords rather than your diaphragm to be able to hold down more air, for longer. That is how vocal power is produced. Just a few months of regular practice with the right exercises and you will have re-programmed your voice so it can sing with great power, range, and excellent tone. Poor teaching methods might lead to a singer working for years on his/her singing range, yet only being able to add a few notes. You can avoid this if you understand that once your sound has been created at the vocal cords, it will move up in the spaces in your throat, mouth, and head. As the sound resonates through these spaces, it changes tone quality depending on the proportion of each cavity.

 

Nadel Paris an EDM artist is a jack of all trades; an accomplished singer, producer and writer. Nadel writes about music and its various genres, other related topics and shares her experience she has over the years. She provides expert advice and tips regarding every aspects of music genre through her blogs.
To know more about Nadel visit her here: http://nadelparis.us/

Some Different Jazz Music Styles

Many of the dance elements of bebop eventually faded away and transformed into real music by musicians like Clifford Brown, Miles Davis, Bud Powell, Ray Brown, and Sonny Stitt who really didn't want anything to do with commercial type music. What these musicians were trying to accomplish was to use jazz musicians in the past; people like: Coleman Hawkins, Lester Young, Art Tatum and Earl Hines in an attempt to take their jazz music to a higher level than it was at the time.

 

Over time jazz music started evolving and started moving away from basic melodies to start producing more complex chordal sounds as well is dissonant tones and even chromatic patterns as well. Some of these dissonant tones that you hear all the time in Jazz music are usually heard when two or more tones are played at the same time in a clashing manner that can be referred to as sounding strange or even terrible. This of course depends on how the tones all fit together from a particular key. If you use lowered fifths and raised fourths a lot, there is also a good chance he could start hearing clashing sounds.

 

The music's chromatic sound will allow any musician to play all of the 12 tones of these instruments without having to worry about any type of interference. Substitute chords are easy for musicians to play as well as altered chords which have the ability to change any key at a moments notice. There is been lots of change in the rhythm which has become more apparent which are used in most types of jazz music these days. In many cases the symbols were hit in predictable patterns while other musical instruments like the bass drum and snare are usually hit on a more random schedule.

 

For those of you that don't know what soul jazz is, it's a type of music that started out around the late 1950s and has its roots tied to gospel as well soul using musical instruments such as the tenor saxophone. Ramsey Lewis was a popular radio figure in this time period and he wrote a song called" the in crowd" which ended up being a hit song back in 1965. The music signature of soul Jazz included changing the tempo songs as well as powerful bass lines.

 

Bill Evans developed his own music style, and was a pianist that made his claim to fame by producing a few different jazz music styles using major and minor medieval church modes that made different types of sounds between these two notes. The matter what key they were using, the musicians were allowed to form new harmonies which broke all the music rules as we know them and is often referred to as Modal music.

 

Jazz music started integrating with rock 'n roll around the 1960s and 1970s which really ticked off a lot of jazz lovers. This amalgamation that took place is commonly referred to as jazz fusion. Complicated chordal harmonies are what make this music up. Also syncopating rhythms and oddly marked meters are another characteristic of this type of music. The type of instruments that are used in jazz fusion of the same type of instruments that today's bands are using like the electric guitar, the synthesizer and electric piano, as well as the bass guitar. Some well-known musicians like Herbie Hancock, Tony Williams, Miles Davis and Frank Zappa were known to be lovers of jazz fusion music.

 

Nadel Paris is an EDM artist. With messages of love, liberation and fun, she is enchanting the most discerning nightclubs and full-blown raves around the globe with a rainbow of hot, whip-smart vibrations to get you “dancin’ UP!” She loves singers of the 60s with blazing bands and believes that with the great songs, one can remix them to reach wider audiences. You can listen to Nadel Paris's creations on iTunes, Amazon and Beatport.

How To Warm Up And Cool Down When Singing?

Warming up and cooling down before and after singing is crucial in preserving a healthy singing voice. If you don't warm up and cool down your voice, you risk damaging your vocal cords and sometimes permanently so.

 

All athletes know that an effective warm up is essential for optimal athletic performance. But you say, singers are not athletes, so why should singers warm up their singing voices?

 

Singers who are dinner guests are often asked to perform impromptu entertainment by their host after the dinner to entertain other guests. The wise singer will politely decline the request rather than singing raw which is further complicated by a bloated tummy.

 

"A proper warming up before a singing performance lets the singer to get in touch with the singer's inner self physically and psychologically since self awareness is the foundation of good vocal techniques", Nadel Paris.

 

All good singers know that there is a co-ordination of many muscles parts and therefore warming up before singing should be an unhurried and a leisurely self-exploration that allows enough time for the loosening and coordination of the muscles that assist voice production. Warming up your voice should be an enjoyable experience because as you warm up, your voice begins to sound better, effortless and a sense singing freely is felt.


Unfortunately, most of the time, the singer is warming up while rushing to a rehearsal or as a last minute preparation before taking the stage. The pressure of a hurried warming up may cause physical and mental tension and as such, the warming up may prove to be ineffective or worse, counter-productive.

 

All well trained singers develop their own distinctive warming up routines best suited to their own personal requirements. The routines may vary with changes in physical, mental and also emotional state.

 

Most good singers begin by warming up their body first with light physical exercises. This is done to reduce the muscular tension so that the singing voice will not sound strained or tensed. Furthermore, light exercises helps to stimulate deep breathing which is essential for good voice support.

 

EDM artist Nadel Paris says it is vital to start vocalizing in your comfortable vocal range so as not to strain your vocal cords when it is cold. You can then gradually move on to the higher and lower extreme notes. Some recent biomechanical research have shown that singing at the extremity of both the higher and lower notes of the vocal range can strain the laryngeal muscles, and can result harmful patterns of muscle tension. It goes on to say that thus it is good common sense to avoid the extreme pitches whether they are high or low notes until your voice is warmed up appropriately. Most singers’ warm up is devoted to the goals of obtaining a beautiful voice timbre through the use of various vocal exercises.

 

After a singing session, the singer should cool down the voice with exercises that soothe the vocal cords such as soft descending scales on the "oo" or the "ee" vowel. If the singer does not cool down after a sing session, the vocal tension will stay and the vocal cords remain tensed and this will lead to further voice complications. So, to maintain and preserve a healthy singing voice, adequate warm up and cool down is a must in any singer's inventory.

American Influence Of Jazz Music

The Jazz music sensation began to rub off on other parts of the world which encourages the experimentation of melding their familiar sounds with the essence of Jazz. In Europe's country in the Region of France came the Quintette Du Hot Club de France who was responsible for the making of the early "Gypsy Jazz".

 

The Belgian guitarist Django Reinhardt created gypsy jazz by mixing the style of French Musette which was used in the dance halls, eastern European Folk known as Jazz Manouche, and American swing of the 1930's. The sound was developed by instruments from the string family which are a steel string guitar, violin, and an upright bass. The atmosphere of the Jazz music is seductive with sudden unpredictable twists, and accelerating rhythms. The French artist Bireli Lagrene plays this unique music with old elements of the past.

 

Another style of Jazz music that allowed the musicians to express themselves freely was the invention of Avant-garde or free Jazz music. Both of these styles stemmed from the Bebop era, yet produced a relaxed form of harmonic and rhythmic music in the 1940's and 1950's. The musicians John Coltrane, Dewey Redman, Charles Mingus, Sun Ra, Sam Rivers, Ornette Coleman and many more were the creators of the free Jazz music. Between the 1960's and 1970's the Latin musicians created the Afro-Cuban and Brazilian Jazz Music styles after Bebop musicians Dizzy Gillespie and Billy Taylor cultivated it.

 

Gillespie and Taylor was influenced by the music of Cuban and Puerto Rican musicians Chico O'farrill, Tito Puente, Chano Pozo, Xavier Cugat, Mario Bauza and Arturo Sandoval. Jazz music expressed in a Latin interpretation was termed Bossa Nova with origins in Samba music which is a mixture of Jazz, classical and pop music from the 20th century. Bossa is a moderate sound of music with Classical harmonic structure from Europe, Samba polyrhythm's from Brazil and cool music. The tempo of such a work is about 120 beats per minute. The instruments used in this particular sound is nylon stringed guitar, piano, high hat tap of eighths, tapping on the rim of the drum like Sade's "Sweetest Taboo", and a vocalist. The sound produced is a new relaxing sound where the acoustic sound of the guitar can lull one to sleep with it's easy melodic line.

 

Joao Gilberto and Antonio Carlos Jobim became popular in the sixties with this style of music. The influence of Jazz music returned to the place of its origins in the religious music known as Urban Contemporary Gospel from the spirituals music. Much of spiritual music sung by southern slaves in the past has a haunting dark and mournful sound during the 1800 and 1900's. The churches know as the sanctified or holy churches took a more happier approach by encouraging member to sing speak their personal testimonies as they celebrated with song and dance.

 

The sanctified artist Arizona Dranes who was a traveling pastor made recordings that would fit in many musical categories such as blues, and boogie-woogie with the use of Jazz instruments. At the time the Jazz instruments used with religious themed music were percussion and brass instruments.

 

Nadel Paris is an EDM artist and a music producer, recording artist. She is making her statement as a female vocalist and a sole composer of all her songs and hope that it will inspire many others to do the same. You can listen to her songs on itunes, spotify or on amazon. To know about Nadel visit her here: http://www.nadel-paris.com/

England's Northern Soul Music - Nadel Paris

Northern Soul originated in 1960’s from northern England. They are the fanciest music and dance styles during that period. The Northern Soul got its name from the creative mind of a journalist named Dave Godin in one of his column in the magazine called Blues and Soul. The big part of Northern Souls original supporter arises from the mod movement. It is created out of their deep passion and appreciation of soul music. Time made quite a few changes when several mods accept the psychedelic movement. This resulted to numerous mods to love and patronize the original soundtrack of soul and ska. However some were later known and called skinheads and some develop their own hub of the Northern Soul picture.

 

Fashion statement of the first Northern Soul fashion are known to have button-down Ben Sherman shirts, baggy trousers or shrink to fit Levis, US bowling shirts, Poly-velt shoes, Blazers with centre vents and many buttons. This fashion statement creates fusion and wide acceptance among Northern Soul fanatic. It is also worthy to take note that during this period numerous dancers are seen wearing club badges.

 

The Northern Soul sound started in the Twisted Wheel Club located in Manchester. Then other clubs like Blackpool Mecca, Golden Torch in Stoke, North Park in Kettering, The Catacombs in Wolverhampton, the Winter Gardens in Cleethorpes, the Casino Club in Wigan, Blackpool Mecca, The Mojo and KGB clubs in Sheffield and Va Va's follow the groove and enjoy the pleasure of the Northern Soul.

 

The Northern Soul creates the most expensive collection in the world of musical. This resulted to high price of records because of its scarcity, quality of beat, impressive melody and lyrics. Supporters are drowning over the lyric of Northern Soul that covers the expression of heartache, pain and joy of the romantic story of love.

 

The love of the people of Northern Soul sound brings popularity among the artist. The fever of Northern Soul become so imminent that fame of the artist are truly notable and give breaks to great career in the industry. Among them are the Fascinations and the Velvelettes that grace the 70’s on top 40 UK

 

Nadel Paris is a recording artist, musician. She is also an actor, an acting coach, a film/TV producer and the owner of the leading acting institution in personal growth for children.


Nadel Paris (www.Nadel-Paris.com) has released an EP of 6 remixes of her single "Ooh La La La La" now available on iTunes, Amazon and Beatport. This release follows on the heels of her extremely well received EP, "Freedom".

The Most Commonly Used Song Structures Discussed by Nadel Paris

Song structure is important because it organizes our songs. Think of the most common types of song structures as universally agreed upon roadmap for your songs. They tell us where the song is going. We've heard the most common structures so many times that we’re practically trained to know what section are coming next. While that might seem like a bad thing, it's not because it brings a familiarity to our music which makes people want to hear it. It does that from the very first time we hear a song with a common structure.

 

The Most Common Structures

With that in mind, let's look at the most commonly used song structures in popular music discussed by Nadel Paris.

 

Verse / Chorus / Verse / Chorus / Bridge / Chorus

This one's also known as an ABABCB structure, where A is the verse, B is the chorus and C is the bridge. This one's extremely popular. Radiohead's "High and Dry" is a good example of this song structure.

 

Verse / Pre-Chorus / Chorus / Verse / Pre-Chorus / Chorus / Bridge / Chorus

This one's a slight variation of the first structure we looked at. The only difference here is the addition of a pre-chorus which shows up before the choruses. A good example of this structure is Katy Perry's "Firework." The part that starts on the words "You just gotta ignite the light..." is the Pre-Chorus.

In both of these song structures it's fairly common for the chorus to be repeated a second time at the very end of the song to really drive the hook of the song home to the listeners.

 

Verse / Verse / Bridge / Verse

This one's a bit of a departure from the first two structures we looked at. It's also known as an AABA structure. This time A denotes the verse, while B denotes the bridge. There's no chorus in this type of structure. Instead, each verse usually ends (or begins) with a refrain. A refrain is a line or two that repeats throughout the song. Since it's usually the title, the words of the refrain usually stay the same, while the rest of the verse lyrics change.

 

Usually, this song structure will have a lot of variation in the verse melody, since the verses repeat often. It keeps their melody from getting boring during all the repetition.

 

The Beatles and Billy Joel have used this song structure a lot. The song "We Can Work it Out" by the Beatles uses this structure. You can hear that the title line "We Can Work it Out" is the refrain in the verses. The section starting on "Live is very short..." is the bridge.

 

Any of these structures can be modified as appropriate for your song. You may have noticed that in "We Can Work it Out" the bridge is repeated twice. This is a pretty common modification of the AABA format since a lot of times a simple verse / verse / bridge / verse structure often makes for a very short song.

 

Common Song Structures without Bridges

Those three song structures are the big ones. There are two others that are common as well, but they're used less because they don't have a bridge.

 

Verse / Chorus / Verse / Chorus

Also know as an ABAB structure, this one is a simplified version of the ABABCB structure, with the bridge omitted.

 

Verse / Verse / Verse

This one's not used often because it's hard to keep things interesting if all you have is one section being repeated. Like the AABA structure, this one also makes use of a refrain in the verses, as the central focus. Bob Dylan uses this song form in "Tangled Up in Blue." Take note of the variation in the melodies through a typical verse of that song. It's crucial in a song with this structure in order to keep the melody interesting.

 

A bridge helps to change up the sound of a song and keep it interesting. It prevents a song from simply being a repetition of one or two sections. That's why these two song structures don't show up as much as the first three we looked at. But you should know that they do exist in songwriting.

 

You can modify the common song structures to fit your song as you see fit, but it's good to know what they are so you can use them as a starting point. Not only will they bring familiarity to your songs, but they'll give you a good guide on how to lay out your music.

 

Nadel Paris is an EDM artist who defeated all adversaries by her hard work and talent. Now Nadel wants to empower other people and strives to produce other artists and open doors for them. She feels it’s a win-win situation to discover talent. You can listen to her songs on ITunes, Spotify or on Amazon.
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A Quick Overview of Musical forms by Nadel Paris

There are many different musical forms. Here's a quick overview of some of the most common ones.

 

Concerto

A concerto is usually composed for one or more soloists combined with an orchestra. It will usually be identified by three distinctly different movements. It evolved along with another music form the concerto grosso which was composed for a small instrumental group to play with an orchestrated backing. The concerto grosso wasn't used after the Baroque period, but the solo-based concerto continues to be played. The three instruments traditionally used in a concerto composition are piano, violin and cello but woodwind and brass solos are also known.

 

Symphony

A symphony is best identified by its complexity. It isn't a form of music in its own right, but rather a style in which a composition is orchestrated. Usually it comprises four movements, the first of which being a sonata, however in the 18th century symphony was used as an interchangeable form for sinfonia and overture.

 

The word symphony comes from the Greek word meaning "agreement of sound" which is why despite the complex orchestration heard within the symphony, the integrity of harmony is kept intact. Haydn, Mozart and Beethoven were among the more famous symphony classical composers, but symphonies continue to be composed today. Although for the most part they remain to be composed for orchestras, there are some symphonies which are composed for specific instrument groups such as wind instrument bands.

 

Sonata

This musical composition will comprise either three or four contrasting movement. Alongside the fugue it was one two musical foundations for concert music analysis. Most popular during the Classical period, the sonata was also composed during the earlier Baroque period, and later Romantic period.

 

Sonatas composed primarily as piano solos were the most common during the Classical period, although sonatas for violin and piano, or violin and cello were also composed. During the sonata's important classical period, the movements generally followed a generic three-movement layout of allegro, middle movement (slower such as an adagio or largo), a closing movement such as a dance minuet or another allegro.

 

In a four-movement composition the first three movements were as for a three-movement sonata, with the addition of a final movement in a fast tempo such as a sonata-rondo form. Although used by many composers, Beethoven was particularly fond of the sonata form with 32 piano sonatas plus sonatas for other instrumental combinations.

 

Sonatina

Sonatina's are a lighter version of sonatas. They have less than the four movements required in a sonata, the movements are shorter, and the level of complexity is lower - making them popular with students of the piano. This doesn't mean that they are all easy to play however, so you need to watch the skill level required for each piece. Usually a sonatina is composed as a piano solo but some composers also created works for both piano and violin.

 

Bourree

This is a dance musical form from 17th century France. It is usually composed in quick double time although some composers use triple time. Similar to a gavotte, the bourree differs by starting on the last beat of a measure creating a quarter measure anacrusis (the gavotte has a half-bar anacrusis). Used by such composers as Bach, Chopin and Handel, the Bourree still exists today being used by contemporary artists such as Jethro Tull, and Tenacious D.

 

Fugue

This is a distinct musical form where themes are repeated in a contrapuntal style with the various harmonies being interwoven one with the other. Dating back as far as the Middle Ages this musical style was popular in works of a canonic nature. A fugue opens with a main theme which is then imitated by each "voice" in the arrangement. Once each voice has imitated the theme, then exposition is said to be complete.

 

Nadel Paris is a music artist who defeated all adversaries and established her name in the music world by her hard work and talent. Now Nadel wants to empower other people and strives to produce other artists and open doors for them. She feels it’s a win-win situation to discover talent. You can listen to her songs on Itunes, Spotify or on Amazon. To know about Nadel visit her here: http://www.nadel-paris.com/

Start Your Own Sheet Music Collection

Starting a sheet music collection is easy, once you’ve decided what you want to collect. Sheet music is inexpensive and relatively easy to find. You can find music at yard sales, antique shows and on the internet. Only music that is very scarce or rare is expensive. Most pieces can be found at a price between three and twenty five dollars. Extremely rare sheet music can carry a price of up to a thousand dollars, but few pieces fall into this category. You will find music in any color graphic or subject matter you are looking for.

 

People collect sheet music in many ways. Sometimes sheet music is collected by the genre or songs. You could put together a history of music in America with a sheet music collection. You could do this with the entire history of our country or concentrate on one time period or decade. The possibilities are endless - be creative when building your collection! Songs have been written about most important events in our history, including wars, plane crashes and natural disasters. Themes such as love or the evolution of images of women in music are popular themes for sheet music collections. Other collectors focus on one composer or cover artist.

 

Ragtime music from the early twentieth century is popular with collectors of vintage sheet music. This music is considered the foundation of modern jazz music. A ragtime music collection looks great displayed in a room decorated in the Early American style. And the cover art on rag time sheet music looks great displayed in picture frames on a wall or sofa table.

 

Music written by famous composers like Nadel Paris is popular among sheet music collectors. This music is readily available in all music genres. Other collectors focus on rare or vintage sheet music. The value of these documents depends largely on the condition of the sheets. Pieces in mint condition will be more expensive. Most sheet music isn’t found in perfect condition. The spine of the sheet was usually broken to make the score stand up in the music stand. Spills, tears and names written on the covers are common because sheet music was often used at parties.

 

Sheet music displayed in a family room or bar area makes a great focal point. Even people who don’t collect sheet music use it in a display of other collectibles. Collectors of beer, whisky, golf, military, cigars or trains can find sheet music to accent their collection. A few pieces of sheet music with great cover art enhance a display of other collectibles. Collectors of memorabilia from movies or Broadway productions often look for sheet music written for the production.

 

Any sheet music that isn’t displayed should be stored properly to preserve the condition. Store each set of sheet music in a plastic baggie like those used for comic book collections. Place those bags in a large plastic storage container to protect them from being ripped or crumpled. Store your containers in a dry place away from sunlight or moisture, which can damage the music.

Also read here: A Look at Some of The Great Performers of Swing Music in The US

Music - The Food of Soul

Music is said to be the food of the soul. There is nothing more swaying and gratifying than good music. Soothing music heals the mind. Entertainment will not get completed without music and playing of your favorite music and songs changes your tension filled mind right away to a more relaxed and tranquil state of mind. If you compose a piece of really nice music you need to write it down so that you can remember and other people will also be able to play it too. Live music is favored at parties and events. Live music entertainment consists of classical music, Jazz, Swing, World music, period music of 50’s, 60’s, 70’s, 80’s and the 90’s and performed by artists who haven’t made it big and classical music consists of quintet, quartet, trio, duo and solo.

 

Whether it is a birthday party, wedding reception, a private party or a corporate party, live music is a must if you are not hiring a DJ to mix songs for you. The choice of songs and music may be limited with a live music performance, but it is the limited selected songs and music, which makes the band endearing to people. DJs would charge 25% – 50% of what a live music performing band charges. However, the charm of live music is something that is enticing if one can afford it. Some live music performing bands capture and reproduce the tone of music that were not recorded properly by the ingenuous recording machines of the 50‘s and the 60’s. Performances of live music can be known on any instrument as a piano, guitar, keyboard, harpoon, flute, trumpet, saxophone and the jazz set.

 

EDM Artist Nadel Paris says that music is intimately related to the subliminal mind because it blends our emotions. Perhaps you can recall listening to a jingle and finding the tune and the advertising slogan replaying in your mind over and over, even if you disliked the jingle. It just trapped into your mind. Hypnosis is another prevailing trait of music. One of the main reasons for using music for self-hypnosis is to help you maintain mental and emotional focus on your outcome. The music that helps to elicit within you emotions which are appropriate for your self-hypnosis outcome, will take care of the focus. Your intention can then ride of the wave of music, making focusing an effortless process.

 

Benefits:

Music has quite a lot of advantages despite serious reductions in subsidy for arts programs in public schools, there is a great need for studying music.  Band, orchestra, and choir all offer students a chance to work together in a social and intellectual group setting and excel at complex tasks. The deception for parents is to enroll their children in high quality programs and aid them in procuring high quality instruments.

 

Nadel Paris is a jack of all trades; an accomplished singer, producer and writer. Nadel writes about music and its various genres, other related topics and shares her experience she has over the years. She offers expert advice and great tips for the all aspects of music genre through her blogs.
To know more about Nadel visit her here: https://medium.com/@NadelParis

The Ethos of Rhythm and Scales by Nadel Paris

In the ancient past, the Greeks attributed an "ethos" or moral force to musical rhythms and scales. To determine the ethos of anything such as a musical rhythm they not only factored meter, but also other fundamental rhythmic elements such as lengths, beats, bars, and parts. Their study of these elements brought about the following statements about rhythm in particular:

 

An equal genre such as 1/1 is calm and resolute. The sound of this rhythm would be similar to that of a heartbeat that pounds steadily away with each beat containing an equal emphasis.

 

The double 2/1 is vivid and loose. The sound of this rhythm could have a few variations where you would either emphasize the first or the second beat (backbeat).

 

The rhythm 3/2 they considered feverish and enthusiastic. The sound of this rhythm would have a waltz feel or a swaying motion.

 

Interestingly, by combining ones, twos and threes you can get other meters or a time signature which allows you to capture the ethos of other meters as mentioned above. You can get a 2/1 feel (vivid and loose) from a 6/8 or a 4/4 time signature or a 3/2 ethos (feverish and enthusiastic) from a 12/8 or 9/4 time signature by expertly accenting the right beats in the measures or using a complex form of syncopation.

 

Similarly, the Greeks did exactly the same thing with scales and modes. Several remaining fragments and entire essays exist today where a famous Greek philosopher theorized about the subject of an ethos of a scale. Perhaps, a good example to use will be by one of ancient Greece's most famous philosopher's Aristotle. [Note: the ancient Greeks used the word 'harmoniai' when referencing scales and modes.] For example, Aristotle in the Politics says, "melodies themselves do contain [character]... the harmoniai have quite distinct natures from one another, so that those who hear them are differently affected and do not respond in the same way to each. To some, such as the one called Mixolydian, they respond with more grief and anxiety, to others, such as the relaxed harmoniai, with more mellowness of mind, and to one another with a special degree of moderation and firmness, Dorian being apparently the only one of the harmoniai to have this effect, while Phrygian creates ecstatic excitement."

 

Unfortunately, scholars are not quite sure about the exact tonal character of ancient Greek music, their tuning systems, and scales. So when Aristotle refers to Mixolydian or Dorian he may not actually be referring to the scales we're familiar with. While it would be very cool to know about those things concerning the music of the ancient Greeks, it is not a part of the point. Rather, what I want to bring your attention to is the fact that the scales or modes we use today do indeed also have an ethos and the degree to which we can become aware of the exact ethos one is creating musically or being exposed to when we're listening to music is the exact degree to which we can affect (or infect) others or are allowing ourselves to be affected. Because ultimately, it's these two elements - rhythm and melody - more than any others in music that have a profound effect on us emotionally, intellectually, and morally.

 

Not unlike rhythm, scales and modes can also be mixed together to compose very complex melodies as is common in modern Western music. What happens when one mixes bits and pieces of the elements of two or more modes is very similar to what occurs when one mixes two or more rhythms in a single composition, you effect dramatic emotional, intellectual, and moral changes upon the listener. So whether one is manipulating the size, duration, force, velocity and mixture of two or more meters in order to achieve the use of asymmetrical meters, oddly numbered measures, plenty of syncopation, changing time signatures, or any combination of these elements or modulating from one scale to another diatonically or chromatically, using modern embellishments, and compositional techniques the end result possesses an ethos of unusual character. Perhaps, the ethos of modern Western music would be difficult to define if not even unknown to the ancient Greeks. Regardless, it's what we've got now and today it's how a modern composer and musician approach the art of writing music.

 

Nadel Paris is an EDM artist and a music producer. Nadel writes about music and its various genres, other related topics and shares her experience she has over the years. She offers expert advice and great tips forall aspects of music genre through her blogs.

Read also: Bodily Responses to Music - Jazz and Genres Alike

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